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Winter Vacation

Li Hongqi China, 2010

29 days to watch

We’re pleased to present the delightfully sardonic modern portrait of China’s youth, Winter Vacation. You haven’t seen deadpan until you’ve seen the work of Li Hongqi, whose singular comic vision practically redefines the notion of that word. Winner of Locarno’s top prize, the Golden Leopard award.

The Taste of Money

Im Sang-soo South Korea, 2012

The slick follow-up to Im’s hit The Handmaid is another glorious melodrama that tears at the very veneer of high-class Korean society it so opulently ogles. Games of sex and finance intertwine at—and corrode—the top of society. Splendid entertainment, wicked satire: Douglas Sirk would be proud.

The Housemaid

Im Sang-soo South Korea, 2010

One of South Korea’s most consummate and sly genre dramatists, Im Sang-soo made his name with the excellent The President’s Last Bang and was upgraded to the Cannes Film Festival’s competition with The Handmaid, a remake of the 1960 classic and a torrid immersion into Korean class dynamics.

La Bouche

Camilo Restrepo France, 2017

Premiering at this year’s Cannes Directors’ Fortnight, we are thrilled to present the latest from Camilo Restrepo. Forming a post-colonial diptych with Restrepo’s previous short Cilaos (shown October, 2016 on MUBI), La Bouche is a loudly voiced, expertly crafted whirlwind of sound and rhythm.

Impression of a War

Camilo Restrepo Colombia, 2015

This week’s double feature is devoted to the Colombia-born, France-based Camilo Restrepo, whose micro-musical Cilaos we showed last year. Winner of Locarno’s Silver Leopard, this kaleidoscopic documentary entwines footage of different natures to question the process by which history is constructed.

Chain Letters

Mark Rappaport United States, 1985

24 days to watch

Best known for his documentaries on the Golden Age of Hollywood (Rock Hudson’s Home Movies), American director Mark Rappaport’s independent career is full of surprises. One of his best is this collage-like portrait intertwining strangers into the comedy and tragedy of the dark side of 80s New York.


Michael Almereyda United States, 2013

23 days to watch

An eloquent and deeply felt documentary that does much in its brief running time, director Michael Almereyda (Experimenter, Marjorie Prime) revisits Chris Killip’s 1980s photographs of the North Yorkshire town of Skinningrove with the artist to reflect on his work and the unique place it captures.

A Woman Is a Woman

Jean-Luc Godard France, 1961

Godard’s radical “neorealist musical” is one of the most iconic films of the New Wave. Re-inventing Hollywood’s aging genre, it is suffuse with fourth-wall breaking playfulness, Eastmancolor Parisian streets, Legrand’s lush score, and the sparkling presence of Belmondo, Brialy and Anna Karina.


Jeff Malmberg United States, 2010

21 days to watch

A fascinating plunge into a world historically inspired, yet crafted from the personal storytelling of its injured creator, this SXSW Grand Jury Award winner is a portrait of how fantasy can be therapeutic. It movingly reveals how personal trauma inevitably leaves traces in the creative process.


Sion Sono Japan, 2016

20 days to watch

Following Wet Woman on the Wind, we bring you the latest Nikkatsu Roman Porno reboot. Genre-bending Japanese provocateur Sono Sion (Love Exposure) flips his assignment on its head, transforming his softcore film into a candy-colored, fourth-wall-breaking exposé of the sex (and art) industry.

Christmas, Again

Charles Poekel United States, 2014

19 days to watch

Need an anecdote to the too-often terrible sub-genre of holiday movie? Look no further than Charles Poekel’s debut feature, an indie gem true not to the schlocky veneer of Christmas culture, but rather to the emotional (as well as economic) nuances brought about by the wintry, consumerist season.

The Big Feast

Marco Ferreri Italy, 1973

18 days to watch

Indulging in excessive eating this holiday season? Here’s a cure! (You’ve been warned.) Marco Ferreri’s justifiably notorious feast film is a cult classic of culinary cinema. But don’t think you’ll end up ordering take out by the end—things get weird, fast. Starring Mastroianni and Piccoli.


Bas Devos Belgium, 2013

17 days to watch

Partly indebted to films by Alan Clarke and Gus Van Sant, Bas Devos’ debut is an altogether measured and incisive rumination on death and trauma. Expressing its themes through an enveloping yet abstract marriage between sound and image, Violet is a film of powerful experiential effect.

Let's Spend the Night Together

Hal Ashby United States, 1983

We continue honoring rock & roll with this colossal musical spectacle featuring the phenomenon’s foremost luminaries: The Rolling Stones! Directed with kinetic flare by Hal Ashby (Harold & Maude), this is yet another momentous note in the irrefutable cinematic (and otherwise) legacy of the Stones.


Jean-Luc Godard Switzerland, 1985

We return to Godard’s 1980s period of reinvention: images as beautiful as paintings composing cleverly fragmented shards of old movie conventions that forge new critique. Promising his producers a genre film, here they instead got a caustically funny remix of all possible hotel movie mysteries.

This Is Spinal Tap

Rob Reiner United States, 1984

We honor the craft and inevitable humor of rock music with two contrasting documentaries of the phenomenon. This Is Spinal Tap finds a perfect alignment of comedic talents producing a film of endless humor and unexpected wisdom. Might “Marty DiBergi” be one of the finest of his generation…?

An Oversimplification of Her Beauty

Terence Nance United States, 2012

13 days to watch

A kaleidoscope of forms, ranging from documentary to animation, mix together to shape this intimate confession on romance, youth, and the one that got away. Infused with spirited flourishes of music, color, and direct camera addresses, Terence Nance’s debut is alive in ways that few movies are.

Irma Vep

Olivier Assayas France, 1996

12 days to watch

With our friends at Mondo we’re creating New Art for Timeless Cinema, a series of newly imagined artwork for some of our favorite films. The series begins with Olivier Assayas and Maggie Cheung’s meta-cinematic modern classic. Get an exclusive poster of your own by referring new cinephiles to MUBI.


Andrew Bujalski United States, 2009

11 days to watch

If you enjoyed Funny Ha Ha last week, we highly recommend you watch director Andrew Bujalski’s heartfelt and true third feature. With characters who are at their most honest when struggling to find the right words, it’s a funny and observant slice-of-life story shot in beautifully colorful 16mm.

Radio Mary

Gary Walkow United States, 2017

10 days to watch

We are thrilled to present the premiere of a new independent gem from Gary Walkow, 1987 winner of the Sundance Grand Jury Prize. Adapted from his own novel, this eerie, beguiling ghost story stars Kate Lyn Sheil as a woman haunted by a Mephistophelian mystery man and newfound telepathic powers.


Seijun Suzuki Japan, 1991

9 days to watch
The Taisho Trilogy

A painter-poet becomes enveloped in the romance, life and death swirling around him, conceived with a beguilingly serene surrealism by studio exile Seijun Suzuki. His final film set in Japan’s decadent Taisho era has the infamously esoteric director dramatizing—in his mad way—the life of an artist.


Jean-Luc Godard France, 1965

Leave it to Godard to re-invent sci-fi moviemaking with a New Wave budget, stealing images of modern Paris to throw us into a pop dystopian future. An ingenious mix of futurism, detective noir, and romance, with, of course, Anna Karina along with the indomitable Eddie Constantine as “Lemmy Caution”.

Passing Strange

Spike Lee United States, 2009

7 days to watch

In light of today’s premiere of Spike Lee’s remake of his own She’s Gotta Have It, we revisit this impassioned filmic realization of the famed titular broadway musical. Lee’s energetic craftsmanship captures all of the tender inspiration at the heart of an empowering story of self discovery.

Wet Woman in the Wind

Akihiko Shiota Japan, 2016

6 days to watch

Nikkatsu is rebooting its legendary Roman Porno series, giving different directors creative freedom in exchange for thriftiness and a healthy dose of sex. The first of these softcore art films (or arty softcore films, if you wish!), is Akihiko Shiota’s slapstick comedy, a breezily playful delight.

Funny Ha Ha

Andrew Bujalski United States, 2002

5 days to watch

As refreshing now as on its debut, and just as awkwardly charming (or is that charmingly awkward?), in Funny Ha Ha “Mumblecore” pioneer Andrew Bujalski (Computer Chess) traces a young woman’s arrested development. A perceptive, hysterically laugh- and wince-inducing comedy about post-graduate drift.

That Most Important Thing: Love

Andrzej Żuławski France, 1975

4 days to watch

We honor the great visionary Polish director Andrzej Żuławski on his birthday with his impassioned first film made in France after his last was banned at home. A frenzied tale of troubled passion in love and art, it is driven with animal fervor by an unforgettable Romy Schneider, who won the César.

Mulberry St.

Abel Ferrara United States, 2010

3 days to watch

Revisiting the location and themes of Abel Ferrara’s earlier film China Girl (1987), the king of New York cinema crafts a loving portrait of his home with this neighborhood film about a community and its many vibrant souls at war with gentrification. A truly alive and buoyant gesture of cinema.


Seijun Suzuki Japan, 1981

2 days to watch
The Taisho Trilogy

The second entry in Japanese style-mad, rule-breaking genius Seijun Suzuki’s series of films set in the decadent Taisho era, Heat-Haze Theatre is a fever dream version of a period romance. Upending conventions of dramatic logic, its a sinister, visually flamboyant descent into madness—or is it love?

First Name: Carmen

Jean-Luc Godard France, 1983

Expiring at midnight PST

We move from the sumptuous romanticism of Godard’s Pierrot le fou to this similarly fragmentary love poem from his 1980s period. First Name: Carmen reinvents cinema into elliptical broken rhythms and passages of discordant poetry to renew one of the oldest of tales: that of two lovers on the lam.

Dead or Alive: Final

Takashi Miike Japan, 2002

The ace cop of a totalitarian police force and a drifting android play their parts in a post-apocalyptic society. They are destined to fight. Their encounter will change them forever.

Dead or Alive: Final just left...
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