Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when the military coup occurred. He had to interrupt the project, and came back to it in 1981, looking for the same places and people.
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DCP 2k, Doc. Lisboa. Very interesting while building a memorial installation on the filmed images of the film that became impossible, little bearable when it acquires the condition of exploitation of the people who starred in that act, which becomes the movie's priority, approaching television's pornographic record of "showing emotions ". Much overrated.
CABRA MARCADO PARA MORRER é uma potente reflexão sobre os anos da ditadura militar. Mas, ao focar sua narrativa nas histórias de camponeses que tiveram suas vidas modificadas pelo golpe de 64, Eduardo Coutinho anuncia seu cinema vindouro, feito de uma inigualável capacidade de ouvir o outro. São essas pequenas histórias contadas ao diretor que, nesse filme, reconstroem a História brasileira recente | Wallace Guedes
If you want to know a piece of Brazil's history during the Military Dictatorship and how a film interrupted during this period can be made again 20 years later this is for you. Personally, I like it for its relevance & some minor importance in terms of Brazilian films but for the most part I found it an overrated work, tiresome, whose worst problem is capturing the sound of the people interviewed. So Hard to listen.