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Zire darakhatan zeyton

Abbas Kiarostami Iran, 1994

Renton47's rating of the film Through the Olive Trees

Who inspires, more than Kiarostami, the idea of cinema as living entity in conversation with us and itself? I think what compels cinephiles, especially here, is the importance placed on things beyond the frame - the factors creating cinema beyond the auteur. The thesis of this trilogy. Wrapping my head around the interplay of reality and film in Koker was like endless nesting dolls. The use of side mirror, my god.