When a US satellite falls from orbit in the New Mexico desert, all but 2 inhabitants of a nearby town die mysteriously. A team of scientists are recruited to secure and study the satellite in a hermetically sealed facility underground, uncovering microscopic particles of alien origin in the process.
This film is not currently playing on MUBI but 30 other great films are. See what’s now showing
A unique film which succeeded in turning dry, realistic scientific research into an interesting 'solve the mystery' kind of adventure. The style is great too, with the obscure synthesizer soundtrack and simple, solid-colored decor. The characters are quite typical on the one hand, but the film manages to mix in the right kind of self-mocking humor to put that to its advantage. Sci-fi classic!
Since watching the film for the first time in my youth I am intrigued by its scientific background and slowness which help to portray one of the most plausible and scary science fiction scenarios. Especially noteworthy are the set design and electronic soundtrack of Gil Mellé.
Believable science fiction that tells us that we should not fear alien beings but alien microbes that can wipe out our existence in seconds. A rich detailed movie and by using non-actors I feel the film has a documentary feel. The man vs. laser scene is a memorable moment.
Boy, this is great. Robert Wise goes nuts with the diopter shots and includes some split-screen imagery all in the service of one of the more intensely "scientific" sci-fis ever made. The ending is suspense to the max.
Parts of this movie deeply disturbed me when I first saw it in a theatre in 1971 at the age of 7 or 8, and the later hard science sequences put me to sleep in the cinema chair. It was rated G at the time (and still is), but it should have been PG. The scenes in the town with the dead corpses, and especially the later ones with the animal tests, were very shocking to me at that age. Still, it IS a masterpiece. ***** 5
Robert Wise is so talented and proved so in many different genres, here the minimalist sci-fi. The first half hour is full of promesses, with Hitchcockian visuals and mystery. But then you enter the lab and the rest is just microscopes and very old school computers behind closed doors. Wise is still to praise : only creative filmmaking could still save the day of what was on paper a serious challenge.
It's an engaging SF medical thriller leveraging Crichton's background as an MD although grade school notions about systems engineering make parts of this silly. The animal experimentation scenes involved the real use of carbon dioxide asphyxiation to simulate death. Maybe that was ok by ASPCA standards in 1971 but that kind of suffocation is known to be terribly painful; doing it for entertainment is reprehensible.