When the audience becomes more alert, we are signaled to expect conflict or drama, though the nature of it is not always divulged. Frequently, Kiarostami gives viewers only enough to taunt them; the in-film audience reveals nothing but that there is something to be revealed. By denying film’s most important attribute—the visual—Shirin underscores the ability of imagery to create nuanced meaning.
Matthew Harrison Tedford
September 19, 2014