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Terror at the Opera

Dario Argento Italy, 1987

William R Clark's rating of the film Opera

Do you like sets? Do you think of scenes as "pieces" of sets? Do you like it when your cinematographer takes a little speed, just enough to get him through the end of the shift, and runs around the set? Do you like it when a horror movie creates a sort of time-hole so as to explore canted angles and let the soundtrack play through? Do you not care if this removes any sense of tension? I mean, I don't, or is it I do?