In the 1800s, on the remote islands of Haida Gwaii off the west coast of British Columbia, two extended families re-unite at their annual summer fishing camp. Soon conflict between a charismatic young nobleman, Adiits’ii, and his best friend Kwa, tears their interwoven families apart.
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Regardless of how important Edge of the Knife may be, it is a cracking good tale, expertly told and beautifully executed. Organized around a fraternal struggle that is both intimate and elemental, Gwaii Edenshaw and Helen Haig-Brown’s film will remind many of Atanarjuat in its raw narrative power.