The usually so anti-establishment Charlie becomes a cop! (He needs the money). Mostly a lot of cheesy slapstick-thugs chasing Charlie around, and Charlie hitting them on the head with his nightstick, but I'm giving this one an extra star for the luridness of showing a junkie shooting up.
A sheer delight of a film and a hilariously furious manifesto of movement: horizontal chase and passing through windows and doors, vertical ascents/descents, rolls, all cut across cinematic frame which is often dense as in the case of the police station and the large family or relatively open as in the police patrol. With great -given the era- statements on gender politics it also anticipates martial arts moves.
A really wonderful short! The main attraction is Chaplin's scrawny charm and acrobatics pitted against a well-built thug, but you can already see the way he used comedy to address poverty and cruelty (themes of his childhood). The finale, where he gets strength from accidentally poking himself with a junkie's needle, is a corker.
One of my favorite Chaplin shorts. Not only are the gags great but the story and background are deeper than a lot of his early films. Chaplin hearkens back to his youth on the not-so-easy streets of South London, with street gangs, charities, dope addicts and mission houses, with the innocent but subversive tramp at the center. "Love backed by force" is the message at the end.