With four directors and aspirations to be the next Gone With the Wind but about Texas, this films is equally as racist and not good. The role of "THE MESTIZA PEARL CHAVEZ" is one for the ages for all the wrong reasons.
Deeply ridiculous and flawed when seen through a modern template, with a strange dynamic between the three leads and drastic changes in tone...however there are 3-4 moments that are brilliant -few directors would dare stage the horse wrangling sequence today, and the finale is incredible (and influential...!)
A typically grandiose Selznick film with Vidor as his vessel. The film surpasses its caricatured characterisation if perceived poetically - love and hate, lust and power, desire and destructive co-dependency - the tortuous entanglement between lovers has universality. Lillian Gish is indomitable. Gregory Peck represents a foolish alpha. An intriguing archive in cinema.
A movie I saw 3 or 4 times on TV in the 70's. Rewatched yesterday night because of its recent Blu-Ray release. Wow! A movie about a woman, about Jennifer Jones, who's literally burning in the film's glowing settings hence her repeated longing for ponds and rainy nights. Masterpiece.
Un classique du western romantique et fiévreux qui demeure un monument mythique du cinéma par sa folle tragédie quasi biblique, la violente et charnelle beauté de Jennifer Jones et l'excellente interprétation des principaux acteurs. En prime, un dernier quart d'heure époustouflant qui demeure un inoubliable morceau d'anthologie... www.cinefiches.com
Not l'amour fou. Inadequate reading of sexual ownership and male dominance, with a few typical western motifs tossed in for good measure. A rape victim is branded as "damaged goods" and is punished for life. A powerful finale as the victim and rapist savagely destroy one another, but then all the man has to do is say "I love you" to remind her of her place. Control enshrined as sentimentality for the impressionable.