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Barton Fink

United States

1991

116 Min
Color
English
  • Currently 4.0/5 Stars.
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DIR Joel Coen

PROD Ethan Coen

SCR Joel Coen, Ethan Coen

DP Roger Deakins

CAST John Turturro, John Goodman, Judy Davis, Michael Lerner

ED Roderick Jaynes

MUSIC Carter Burwell

Synopsis

The title character, played by John Turturro, is a Broadway playwright, based on Clifford Odets, lured to Hollywood with the promise of untold riches by a boorish studio chieftain (played by Michael Lerner as a combination of Louis B. Mayer and Harry Cohn). Despising the film capital and everything it stands for, Barton Fink comes down with an acute case of writer’s block. He is looked after by a secretary (Judy Davis) who has been acting as a ghost writer for an alcoholic screenwriter (John Mahoney, playing a character based on William Faulkner). Also keeping tabs on Fink is a garrulous traveling salesman (John Goodman), the most likeable, stable character in the picture. And then comes the plot twist to end all plot twists, plunging Barton Fink into a surreal nightmare that would make Hieronymus Bosch look like a house painter. Once more, Ethan and Joel Coen serve up a smorgasbord of quirkiness and kinkiness, where nothing is what it seems and nothing turns out as planned. —allmovie guide

Director

Joel_coen

Joel Coen

Combining thoughtful eccentricity, wry humor, arch irony, and often brutal violence, the films of the Coen brothers have become synonymous with a style of filmmaking that pays tribute to classic American movie genres, especially film noir, while sustaining a firmly postmodern feel. Born in St. Louis Park, MN, in 1954, Joel Coen studied at New York University before moving into filmmaking in the early ‘80s. He and his younger brother began writing screenplays while Joel worked as an assistant editor on good friend Sam Raimi’s 1983 film The Evil Dead. In 1984, they made their debut with Blood Simple. Both of them wrote and edited the film (using the name Roderick Jaynes for the latter duty), while Joel took the directing credit and Ethan billed himself as the producer. It earned considerable critical acclaim and established the brothers as fresh, original talent. Their next major effort (after Crimewave, a 1985 film they wrote that was directed by Raimi), 1987’s Raising Arizona was a… read more

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Ursule Mirouet

8Feb10

Blah blah  
Picture of Daniella

Daniella

8Jan10

I have watched most of their movies and never quite LOVED their work until BARTON FINK... A MASTERPIECE!!!!  
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Julien-stt

3Jan10

To me, a masterpiece. All of the Coen's is in there, but so different, so surreal.  
Picture of Ryan H.

Ryan H.

12Dec09

The Coens' best.  

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Untitled

By Farjad Farahma​nd on September 1, 2009

Ambition, I think, is the downfall of “Barton Fink.” Originality is replaced with homage and allusions to countless cinematic masterworks, and instead of art we have surrealistic incomprehensibility…  read review

Untitled

By bristol​caprist​o on August 2, 2009

This movie rules. Definitely not the best Coens movie or my personal favorite, but John Goodmen and John Tuturro fucking rule in this movie. Makes me want to sit down and right something just to experience…  read review

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Any interperitations on "the point" of the film?

4 posts by 4 people about 1 month ago