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Goodfellas

United States

1990

146 Min
Color
Italian, English
  • Currently 4.3/5 Stars.
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DIR Martin Scorsese

PROD Irwin Winkler

SCR Nicholas Pileggi, Martin Scorsese

DP Michael Ballhaus

CAST Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, Paul Sorvino

ED James Kwei, Thelma Schoonmaker

Synopsis

Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi’s best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the “wise guys” in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a “stand-up guy” by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie’s lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a “made guy,” an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work.

(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=A20351)

Director

Martin_scorsese2

Martin Scorsese

Martin Scorsese was born in New York City and soon developed a passion for cinema and a particular admiration for neo-realist cinema which inspired him and influenced his view or portrayal of his Sicilian heritage. After graduating from NYU Film School in 1966 and making a number of shorts, he shot his first feature-length film Who’s That Knocking at My Door (1968) with fellow student, actor Harvey Keitel, and editor Thelma Schoonmaker both of whom were to become long-term collaborators. Mean Streets followed in 1973 and provided the benchmarks for the ‘Scorsese style’. After Scorsese directed Alice Doesn’t Live Here Anymore, the trio was reunited for the dark journey of Travis Bickle in Taxi Driver. After New York, New York Scorsese released Raging Bull. The acclaimed biography of middleweight fighter Jake LaMotta was followed by exploration of fans as pariah in The King of Comedy, dark-comic dreams in After Hours and pool sharks in The Color of Money. Scorsese outraged some religious… read more

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Picture of Jean Reno's Irradiated Haggis

Jean Reno's Irradiated Haggis

2Jan10

My absolute, all time favourite film. It's pretty much the only film I could put on at any time and know I wouldn't be bored, it has such energy and style. Brilliant performances, brilliant storytelling, great technique and one of the films which demonstrates that voiceover can be an essential tool.  
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Tania C

15Dec09

I agree with Marcus and well almost everyone here great dialogue , characters and also great music. One of my favorite films   

Marcus Hart

6Dec09

This movie has some of my favorite quotes and characters in cinema  
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definedivine

24Oct09

"I look like a clown, i amuse you...what the fuck do you mean" =) one of the dialoges lines of the movie... Great movie although, nice storytelling, loved the narrator style of leading the film. It is one of the best mob movies.  

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Jacksonspotlight

Peter Jackson Answers Questions From The Auteurs Community

By Glenn Kenny on December 8, 2009
Director Peter Jackson has had one of the most unusual journeys in contemporary film history, going from frantic micro-budgeted shock-horror-comedy grossouts shot in his native New Zealand in the mid
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By John "The K man" Smith on August 23, 2009

Goodfellas, how do you describe it? It’s fucking fantastic, in fact I think it’s impossible to describe this film, without swearing like a sailor, so he it is. This film is fucking great, Scorsese…  read review

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By McNulty on August 11, 2009

Do you like watching Movie Classics or Cinematic Masterpieces? How about films that have lots of violence and swearing? Well if you said yes to either one then go to your local video store and buy…  read review

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By stewart SFA Adams on August 10, 2009

Few films have ever used music so effectively. Juke Box tunes play throughout to different effect. At times it makes the violence and savagery familiar. A regular occurrence, depriving it of value…  read review

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By baddabo​om on May 26, 2009

“What do you mean I’m funny?”

A perfect film. The cocaine—helicopter—spaghetti sauce sequence. De Niro slamming the phone down on its cradle. Pesci shooting a boy in the foot. Liotta addressing…  read review

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