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Last Tango in Paris

Ultimo tango a Parigi

Italy

1972

136 Min
Color
French, English
  • Currently 3.8/5 Stars.
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DIR Bernardo Bertolucci

PROD Alberto Grimaldi

SCR Bernardo Bertolucci, Franco Arcalli, Agnès Varda

DP Vittorio Storaro

CAST Marlon Brando, Maria Schneider, Maria Michi, Giovanna Galletti, Gitt Magrini

ED Franco Arcalli, Roberto Perpignani

Synopsis

In Bernardo Bertolucci’s art-house classic, Marlon Brando delivers one of his characteristically idiosyncratic performances as Paul, a middle-aged American in “emotional exile” who comes to Paris when his estranged wife commits suicide. Chancing to meet young Frenchwoman Jeanne (Maria Schneider), Paul enters into a sadomasochistic, carnal relationship with her, indirectly attacking the hypocrisy all around him through his raw, outrageous sexual behavior. Paul also hopes to purge himself of his own feelings of guilt, brilliantly (and profanely) articulated in a largely ad-libbed monologue at his wife’s coffin. If the sexual content in Last Tango is uncomfortably explicit (once seen, the infamous “butter scene” is never forgotten), the combination of Brando’s acting, Bertolucci’s direction, Vittorio Storaro’s cinematography, and Gato Barbieri’s music is unbeatable, creating one of the classic European art movies of the 1970s, albeit one that is not for all viewers.

(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=1:28388)

Director

Bernardo_bertolucci

Bernardo Bertolucci

Known both for sweeping epics and for helping to bring eroticism into general release with Last Tango in Paris, Bernardo Bertolucci is one of the pre-eminent international directors of the latter half of the twentieth century. The son of poet, film critic, and anthologist Attilio Bertolucci, he was born on March 16, 1940 in Parma. Surrounded by an atmosphere of comfort and intellectualism, Bertolucci began making 16 mm films as a teenager. In addition to making two short films about children, he also gained a certain amount of respect as a writer, winning the Premio Viareggio (one of Italy’s top literary awards) for his first book, In Search of Mystery. Going on to study at the University of Rome, Bertolucci started his film career as an assistant director to Pier Paolo Pasolini. After working on Pasolini’s Accatone, he left the University in 1961 and embarked on his own independent film study.

Bertolucci made his directing debut the following year with La Commare Secca (The… read more

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David

31Dec09

brando plays one of my favorite characters in film history.  
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Roger Hayn

24Dec09

Bertolucci's kind of a weirdo, don't you think? This film was well shot, and fairly interesting, but for the most part a little too slow without anything to make the wait worth it in the end.  
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Phil S.

19Dec09

The film's last half hour was promising, but then the film was over. Sadly, Brando's fine performance, Gato Barbieri's beautiful music an Storaro's at times good cinematography can't help over the fact that this film hasn't stood the test of time. Provocative in the time it was released in, its scenes don't shock anymore today, the just bore.   
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Tom Trinchera

26Oct09

Contains Brando's finest performance - esp in the scene where Paul talks to his dead wife. Not exactly the type of film I'd watch repeatedly but every time I do, Brando is just astounding.  

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Last Tango In Paris

By gino on January 2, 2010

Last Tango In Paris sets up, immediately, its sense of style in the opening credits. It’s a clumsy, quirky Film with incredible charisma. In the beginning, it feels like it isn’t going to flow very…  read review

Untitled

By Xiaohe on November 29, 2009

beautiful movie, it’s so notorious for sex scenes but when people focus and make a huge deal about that, they often overlook the beautiful aspects of the movie—the cinematography, the beautiful score…  read review

Untitled

By Jon on July 3, 2009

Bold and daring, a densely introspective film that plumbs the enigmatic depths of the wounded human soul and its infliction of pain upon others. Through frank, uninhibited sexuality and scenes of raw…  read review

Untitled

By Serena on February 1, 2009

I may never fully understand this film or all its secrets, but I do know that it’s too powerful to shake off—not because of the notoriety of the sex scenes, but the way Bernardo Bertolucci weaves this…  read review

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