Last Tango in Paris
Ultimo tango a Parigi
Italy
1972
136 Min
Color
French, English
In Bernardo Bertolucci’s art-house classic, Marlon Brando delivers one of his characteristically idiosyncratic performances as Paul, a middle-aged American in “emotional exile” who comes to Paris when his estranged wife commits suicide. Chancing to meet young Frenchwoman Jeanne (Maria Schneider), Paul enters into a sadomasochistic, carnal relationship with her, indirectly attacking the hypocrisy all around him through his raw, outrageous sexual behavior. Paul also hopes to purge himself of his own feelings of guilt, brilliantly (and profanely) articulated in a largely ad-libbed monologue at his wife’s coffin. If the sexual content in Last Tango is uncomfortably explicit (once seen, the infamous “butter scene” is never forgotten), the combination of Brando’s acting, Bertolucci’s direction, Vittorio Storaro’s cinematography, and Gato Barbieri’s music is unbeatable, creating one of the classic European art movies of the 1970s, albeit one that is not for all viewers.
(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=1:28388)
Known both for sweeping epics and for helping to bring eroticism into general release with Last Tango in Paris, Bernardo Bertolucci is one of the pre-eminent international directors of the latter half of the twentieth century. The son of poet, film critic, and anthologist Attilio Bertolucci, he was born on March 16, 1940 in Parma. Surrounded by an atmosphere of comfort and intellectualism, Bertolucci began making 16 mm films as a teenager. In addition to making two short films about children, he also gained a certain amount of respect as a writer, winning the Premio Viareggio (one of Italy’s top literary awards) for his first book, In Search of Mystery. Going on to study at the University of Rome, Bertolucci started his film career as an assistant director to Pier Paolo Pasolini. After working on Pasolini’s Accatone, he left the University in 1961 and embarked on his own independent film study.
Bertolucci made his directing debut the following year with La Commare Secca (The… read more
Last Tango In Paris sets up, immediately, its sense of style in the opening credits. It’s a clumsy, quirky Film with incredible charisma. In the beginning, it feels like it isn’t going to flow very… read review
beautiful movie, it’s so notorious for sex scenes but when people focus and make a huge deal about that, they often overlook the beautiful aspects of the movie—the cinematography, the beautiful score… read review
Bold and daring, a densely introspective film that plumbs the enigmatic depths of the wounded human soul and its infliction of pain upon others. Through frank, uninhibited sexuality and scenes of raw… read review
I may never fully understand this film or all its secrets, but I do know that it’s too powerful to shake off—not because of the notoriety of the sex scenes, but the way Bernardo Bertolucci weaves this… read review