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A Streetcar Named Desire

United States

1951

122 Min
  • Currently 4.1/5 Stars.
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DIR Elia Kazan

PROD Charles K. Feldman

SCR Tennessee Williams, Oscar Saul

DP Harry Stradling Sr.

CAST Vivien Leigh, Marlon Brando, Kim Hunter, Karl Malden

ED David Weisbart

Synopsis

In the classic play by Tennessee Williams, brought to the screen by Elia Kazan, faded Southern belle Blanche DuBois (Vivien Leigh) comes to visit her pregnant sister, Stella (Kim Hunter), in a seedy section of New Orleans. Stella’s boorish husband, Stanley Kowalski (Marlon Brando), not only regards Blanche’s aristocratic affectations as a royal pain but also thinks she’s holding out on inheritance money that rightfully belongs to Stella. On the fringes of sanity, Blanche is trying to forget her checkered past and start life anew. Attracted to Stanley’s friend Mitch (Karl Malden), she glosses over the less savory incidents in her past, but she soon discovers that she cannot outrun that past, and the stage is set for her final, brutal confrontation with her brother-in-law. Brando, Hunter, and Malden had all starred in the original Broadway version of Streetcar, although the original Blanche had been Jessica Tandy. Brando lost out to Humphrey Bogart for the 1951 Best Actor Oscar, but Leigh, Hunter, and Malden all won Oscars.

(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=1:47311)

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rowdyman

3Feb10

At first I didn't get it, then I realized these weren't stereotypes, but archetypes. I don't think I'll ever be a fan of Tennessee Williams but every nation needs it's melodramatist and Williams is America's. Obviously great performances by all.   
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Matt Gesicki

10Jan10

Blanche DuBois must be the greatest character ever created. Vivien Leigh goes far and above the strenuous requirements of this challenging role, and she succeeds beautifully. Seriously, greatest performance ever in film. The rest of Kazan's film is almost as fantastic as Leigh's work. The sexual tension between Leigh and Marlon Brando is so alive and intense that it pulsates in their scenes together.   
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Grafton

17Dec09

Tennessee Williams is a playwright I have major issues with. His characters are too over-the-top; his symbolism is thick and heavy-handed (that's why high school English classes read his plays - they can be analyzed at a surface level); and his female characters fail at being lost because he tries too hard to make them lost (you wanna make a character lost in a dream world? Go for subtlety). Yet, Elia Kazan's film…  more
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Streetcar

By Grafton on January 1, 2010

Tennessee Williams is a playwright I have major issues with. His characters are too over-the-top; his symbolism is thick and heavy-handed (that’s why high school English classes read his plays – they…  read review

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