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Alice Doesn't Live Here Anymore

United States

1974

112 Min
Color
English
  • Currently 3.7/5 Stars.
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DIR Martin Scorsese

PROD Audrey Maas, David Susskind

SCR Robert Getchell

DP Kent L. Wakeford

CAST Ellen Burstyn, Kris Kristofferson, Diane Ladd, Harvey Keitel, Alfred Lutter

MUSIC Richard LaSalle

Cannes (In Competition)

Synopsis

When Alice Hyatt (Ellen Burstyn) is suddenly widowed after years of domesticity, she decides to travel to Monterey, California with her 11-year-old son Tommy to resume a singing career. In Phoenix, Arizona she gets a job singing at a piano bar and begins a relationship with Ben, who turns out to be married and a spouse abuser. In Tucson, she puts her dream of singing on hold and becomes a waitress. She meets a farmer, David and begins to think about a new life of domesticity. —IMDb

Director

Martin_scorsese2

Martin Scorsese

Martin Scorsese was born in New York City and soon developed a passion for cinema and a particular admiration for neo-realist cinema which inspired him and influenced his view or portrayal of his Sicilian heritage. After graduating from NYU Film School in 1966 and making a number of shorts, he shot his first feature-length film Who’s That Knocking at My Door (1968) with fellow student, actor Harvey Keitel, and editor Thelma Schoonmaker both of whom were to become long-term collaborators. Mean Streets followed in 1973 and provided the benchmarks for the ‘Scorsese style’. After Scorsese directed Alice Doesn’t Live Here Anymore, the trio was reunited for the dark journey of Travis Bickle in Taxi Driver. After New York, New York Scorsese released Raging Bull. The acclaimed biography of middleweight fighter Jake LaMotta was followed by exploration of fans as pariah in The King of Comedy, dark-comic dreams in After Hours and pool sharks in The Color of Money. Scorsese outraged some religious… read more

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Picture of Danny Derakhshan

Danny Derakhshan

8Feb10

Had me in tears. Dammit.  

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Articles

Our roundup of essays and articles on this film.
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The New Breed of Filmmakers: A Multiplication of Myths

By Manny Farber on December 16, 2009
The difference between the two obsessive quests in The Searchers (1956) and French Connection II (1975) is one of quantity: Popeye Doyle’s one goal, revenging himself on the hedonistic narcotics
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Reviews

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By Justin Kane on November 19, 2009

This is another of my favorite Scorsese films that no one talks about. Alice Hyatt tries her best to be a great mother and out of that we get many tender moments throughout, none of them corny. I couldn’t…  read review

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By Andhika Eka Buana on November 12, 2009

scorsese underrated gem.this,and that movie called after hours should be his classic,not that movie about a boxer,or some lunatic taxi driver,or a joe pesci-gone-mad-mafia-movie. maybe it’s scorsese…  read review

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