The Brown Bunny
United States
2003
Actor and musician Vincent Gallo takes on the role of writer, director, editor, cinematographer, and star with his second filmmaking effort, The Brown Bunny. Motorcycle racer Bud Clay (Gallo) drives his van across the country in search of his lost love, Daisy (Chloë Sevigny). He stops at her parents’ house and sees the brown bunny she left behind. Along the rest of the way, he stops for gas, rides his bike, and makes out with a woman at a roadside rest area (Cheryl Tiegs). He meets up with Daisy when he finally arrives in Los Angeles, leading to the revelatory conclusion in his hotel room. The Brown Bunny premiered in competition at the 2003 Cannes Film Festival in a working cut of 119 minutes that was widely panned; a 93 minute final edit was shown at subsequent festivals and premiered in the United States in the summer of 2004.
(From http://www.allmovie.com/cg/avg.dll)
Steely-eyed and greasy-haired with an adventurous taste in fashion, Vincent Gallo has certainly achieved some level of name recognition for his arrogant eccentricity. Notorious for talking about himself at great length without ever really saying anything of consequence, he’s become something of a hipster icon to legions of fans. Though claims about his home life are dubious, he was born in Buffalo, NY, as the middle child of Sicilian immigrants. Playing in garage bands at an early age, he ran away to New York City at 16 and proceeded to seek fame and fortune by hanging out with the right people. Working as a musician under various names and in numerous bands, he showed his paintings in trendy N.Y.C. galleries and made the short film If You Feel Froggy, Jump. Appropriately, his first film appearance was as himself for the New York Beat Movie (1981), starring painter Jean Michel Basquiat and other big-name art scenesters. This was followed by an appearance in the New York underground… read more
I can understand your points, Justin. But, I think that one of the ways that Gallo successfully portrays Bud’s depression and loneliness is by simply showing the emotion of the character.
I’ve… read review
Gallo’s notorious sophomore effort was rejected, not only by the film world, but the rest of the world as well. As a film that relies on nuance and minimalism, the notoriety garnered did not help the… read review