La Ciénaga
Argentina
2001
Two families try to make the best of a bad situation as they suffer through a crippling heat wave in this neo-realistic drama, featuring a primarily non-professional cast. Tali (Mercedes Moran) is minding four small children with little help from her husband, who is preoccupied with the opening of hunting season, as a record hot spell grips Argentina. Things aren’t much better for her cousin Mecha (Graciela Borges), who is looking after four teenagers and a husband (Martin Adjemian) who can hardly be bothered to help out, but Mecha does have a pool, even if it hasn’t been cleaned in quite a while. Tali and her brood end up spending much of the summer with Mecha as the town is riveted by the appearance of the Virgin Carmen on the city’s water tower, and a series of thunderstorms add an awful humidity to the summer’s unbearable heat. While seemingly improvised, La Cienaga was actually carefully scripted by Lucrecia Martel, who won a screenwriting award at the 1999 Sundance Film Festival prior to making her directorial debut with this feature.
(From http://www.allmovie.com/cg/avg.dll)
Lucrecia Martel was born in Salta, northern Argentina, in 1966. As a teenager she did a good deal of filming of her large family, but she never suspected she would end up studying filmmaking. In 1986 she moved to Buenos Aires to study communication. She made a few short films, among them Rey Muerto (Dead King) which received several international awards.
Between 1995- 1998 she directed documentaries for television and children’s programs with a dark sense of humor and which were widely acclaimed by the Argentine press. In 1999 she received the Sundance+-/ NHK Filmmakers Award for her script La Cienaga (The Swamp) about families in Northern Argentina. —Filmbug
from the first to the very last frame this movie WOWED me. martel’s mastery of visuals, sound (and silence), editing, storytelling, characters, atmosphere made me say “what the hell?!” out loud a few… read review