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The Conformist

Il conformista

Italy, France, Germany

1970

107 Min
Color
French, Latin, Italian
  • Currently 4.3/5 Stars.
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DIR Bernardo Bertolucci

PROD Maurizio Lodi-Fe

SCR Bernardo Bertolucci, Alberto Moravia

DP Vittorio Storaro

CAST Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin

Synopsis

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello’s mind. —IMDb

Director

Bernardo_bertolucci

Bernardo Bertolucci

Known both for sweeping epics and for helping to bring eroticism into general release with Last Tango in Paris, Bernardo Bertolucci is one of the pre-eminent international directors of the latter half of the twentieth century. The son of poet, film critic, and anthologist Attilio Bertolucci, he was born on March 16, 1940 in Parma. Surrounded by an atmosphere of comfort and intellectualism, Bertolucci began making 16 mm films as a teenager. In addition to making two short films about children, he also gained a certain amount of respect as a writer, winning the Premio Viareggio (one of Italy’s top literary awards) for his first book, In Search of Mystery. Going on to study at the University of Rome, Bertolucci started his film career as an assistant director to Pier Paolo Pasolini. After working on Pasolini’s Accatone, he left the University in 1961 and embarked on his own independent film study.

Bertolucci made his directing debut the following year with La Commare Secca (The… read more

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Displaying 4 of 12 wall posts.
Picture of Vincent Bergeron

Vincent Bergeron

24Jan10

Loved the idea of taking that ironic secret name during my "rebellious" days as a bad journalism student.   
Picture of Vincent Bergeron

Vincent Bergeron

24Jan10

Loved the idea of taking that ironic secret name during my "rebellious" days as a bad journalism student.   
Picture of beneezy

beneezy

17Jan10

insane!  
Picture of Tony McIntosh

Tony McIntosh

30Dec09

Of all Bertolucci films I love -- Last Tango, 1900, Last Emperor, Stealing Beauty -- The Conformist is the one I can watch over and over and over, and be wowed every time. The script, the acting, the fractured narrative, Storaro's cinematograpy. What is not to love. It is truly a work of art, which manages to encompass all the other arts as a matter of course. In true late 60's/early 70's style, an anti-hero is the star…  more

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Reviews

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The Conformist

By Jye Sherwel​l on December 3, 2009

The bulk of the time I felt lost when it came to the story. I didn’t know who was who, or what anyone’s plan was. This didn’t help me enjoy the film, obviously.

Fortunately the film is so beautifully…  read review

Untitled

By Andhika Eka Buana on November 12, 2009

since it is a bertolucci movie,it is no doubt has a beautiful cinematography.but what i like the most from THE CONFORMIST is not the beauty itself,but more of its unstructured narrative,which is a…  read review

Untitled

By Roger Hayn on September 3, 2009

As indicated by the number posts crediting the film for it’s beauty, I think it’s safe to say that this film is aesthetically perfect. Generally speaking, Bertolucci has never failed to make a gorgeous…  read review

Untitled

By Howard Fritzso​n on June 16, 2009

This is one of my favorite films. I watch it for the visual voluptuousness and stylization. And I listen to the music of the period and Delerue’s score. I think this is one of Trintingant’s best performances…  read review

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