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Natural Born Killers

United States

1994

122 Min
Color, Black and White
English
  • Currently 3.2/5 Stars.
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DIR Oliver Stone

PROD Jane Hamsher, Don Murphy, Clayton Townsend

SCR Quentin Tarantino, David Veloz, Richard Rutowski, Oliver Stone

DP Robert Richardson

CAST Woody Harrelson, Juliette Lewis, Tom Sizemore

MUSIC Brent Lewis

Synopsis

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone’s extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo’s eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson’s hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film’s extreme violence — numerous edits were required to win an R rating — became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. —allmovie guide

Director

Oliver-stone

Oliver Stone

Oliver Stone has become known as a master of controversial subjects and a legendary film maker. His films are filled with a variety of film angles and styles, he pushes his actors to give Oscar-worthy performances, and despite his failures, has always returned to success.

After dropping out of Yale University, Oliver Stone became a soldier in the Vietnam War. Serving in two different regiments (including 1rst Cavalry), he was introduced to The Doors, drugs, Jefferson Airplane, and other things that defined the sixties. For his actions in the war, he was awarded a Bronze Star for Gallantry and a Purple Heart. Returning from the war, Stone did not return to graduate from Yale. His first film was a student film entitled Last Year in Viet Nam (1971), followed by the gritty horror film Seizure (1974) for which he also wrote the screenplay. The next seven years saw him direct two films: Mad Man of Martinique (1979) and The Hand (1981), starring Michael Caine. He also wrote many screenplays… read more

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Vincent Bergeron

29Jan10

Worth watching for Juliette Lewis fascinating ambiguous looks and Tarantino early work behind the scenes !  
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David

11Jan10

just watched it again for the second time and it gave me a massive head ache.  
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Sean Bryan

7Jan10

When you're young, this film engages and moves you. Then you grow up. You realize the themes are obvious and ham-fisted. And the technical razzle-dazzle is nothing more than noise to distract you from unlikeable, grating caricatures. The only redeeming quality is its soundtrack. I haven't read the original Tarantino script, but plan to.  
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cinemaofdreams

7Nov09

An overwrought satire with moments of brilliance. It is more of a LSD trip that has od'd on Speed than a movie. Stone is to be lauded for his courage and audacity, but in the end it is a slight footnote in cinematic history that could have been a great achievement.  

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Reviews

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Untitled

By Ayush on November 24, 2009

Lets attack the sensationalist U.S. media/general public and its obsession with psychotic murderers by showing the same thing on film.Sound ironic?Well its supposed to when you plan on doing a satire…  read review

Untitled

By Rina on September 28, 2009

Oliver Stone’s Natural Born Killers is as subtle as a sledge hammer. After half an hour, I was hoping that the critical comments on media coverage would be enough to make me appreciate it but in the…  read review

Natural Born Killers

By gino on August 6, 2009

For the first five minutes, I just thought “Shit, well that’s a waste”, thinking this was going to be some poorly acted, hokey, low budget film. But, once it got started, I was so enthralled. Mallory…  read review

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