Chungking Express
Chung Hing sam Iam
Hong Kong
1994
102 Min
Color
Cantonese
The whiplash, double-pronged Chungking Express is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar-wai an instant icon. Two heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye (Faye Wong) works. Anything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas’ “California Dreamin’” into tokens of romantic longing. —The Criterion Collection
Born in Shanghai, he moved to Hong Kong with his parents at the age of five. Coming from the Mainland and speaking only Mandarin and Shanghainese, he had a difficult period of adjustment to Cantonese speaking Hong Kong, spending hours in movie theatres with his mother. He made his directing debut in 1988 with As Tears Go By, produced by Alan Tang. It was a crime melodrama of the kind then hugely popular, and with heavy borrowings from Martin Scorsese’s Mean Streets (1974), but already displayed one of his principal trademarks in its atmospheric and sometimes expressionistic color palette. It is his only box office hit to date. Wong went on to direct several more feature films in the 1990s, among these were Chungking Express (1994), Fallen Angels (1995), Ashes of Time (1994). His first major international recognition was at the 1997 Cannes Film Festival where he won the Best Director prize for Happy Together (1997). The filming of In the Mood for Love (2000) had to be shifted from Beijing… read more
wow,can;t say just how much i loved this film (and it is only the first viewing..).beautifully shot,beautifully told. this is cinema at its best ! the story of two intertwined men (played with such… read review
Wong Kar-wai’s “Chungking Express” opens with a blur of color, a series of frenetic images capturing the crowded alleyways of urban Hong Kong. As he chases a suspect, Cop 223 (Takeshi Kaneshiro) brushes… read review
One part Slackers, one part Amalie, one part LSD flahsback…
I just finished watching this wonderful little movie and I am in awe. The editing in this film is just awesome and the camera amazing… read review
This film to me represents one of the greatest achievements of world cinema of the past thirty years. The story of two broken-hearted policemen and their romantic endeavors offers a deeply human, romantic… read review