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Synopsis

In a career-defining performance, Alain Delon plays a contract killer with samurai instincts. A razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology—maverick director Jean-Pierre Melville’s masterpiece Le Samouraï defines cool. —The Criterion Collection

Director

Jean-pierre_melville

Jean-Pierre Melville

Jean-Pierre Melville (born Jean-Pierre Grumbach) was an amateur filmmaker as a teenager who, after the start of World War II, began making his own independent short and feature films. He hit his stride in the ‘50s with his memorable adaptation of Jean Cocteau’s novel, Les Enfants Terribles, and, over the next 20 years, specialized in intelligent and exciting crime films, most notably Bob le Flambeur, Le Doulos (aka The Finger Man), Le Samouraï, Le Cercle Rouge, and Un Flic. Melville also acted in his own Deux Hommes Dans Manhattan, as well as Cocteau’s Orphee, Jean-Luc Godard’s À Bout de Souffle (aka Breathless), and Claude Chabrol’s Landru (aka Bluebeard). He died in 1973.

(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:102465 ) 

Wall

Displaying 4 of 25 wall posts.
Picture of Andy Oettl

Andy Oettl

2Jan10

Forget Tarantino, Scorsese, Mann and (his biggest fan) John Woo: it doesn't get any cooler than this. A moody triumph of style with Alain Delon in the role that defined his career.  
Picture of Daniel Seth Levine

Daniel Seth Levine

14Dec09

what a brilliant film...I just got it the other day and I was totally amazed. The whole film is minimalist to the extreme...I don't think Jef says more than 100 words the entire film. He's easily the coolest assassin ever. Plus, without spoiling it, that was one hell of an ending.   
Picture of Steve

Steve

27Nov09

What a great film. I'm becoming an Alain Delon fan after seeing this, Rocco and His Brothers and L'Eclisse  
Picture of William Speruzzi

William Speruzzi

14Oct09

The precursor to the modern police procedural. Cool, minimal and distant. Sounds like Michael Mann doesn't it?   

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Reviews

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Pure Celluloid Cool: Jean-Pierre Melville’s “Le Samouraï”

By Alex Towers on January 26, 2010

A man lies alone in bed. Immaculately dressed in a tight, dark suit he takes a drag of his cigarette, blowing the smoke into a thick pillow of fog above him. The room is empty save for a chair, table…  read review

the coolest film i have ever seen.

By Reno Nismara on January 23, 2010

jean-pierre melville really knows how to create a film that defines cool. from the opening quote, the minimal use of dialog (especially the no dialog in first 10 minutes of the film), the stylistic…  read review

Untitled

By Mugino on November 14, 2009

In terms of style, I would rate this very high, but unfortunately some of its details suffer from age. The cloak & dagger stuff just doesn’t hold up over 40 years later. Things like lock-picking…  read review

Untitled

By Francis on August 12, 2009

Le Samourai is a stylish looking film with some nice jazz music. It utterly lacks character development and is, at least for me, devoid of any suspense or intrigue. The plot is very weak and filled…  read review

Forum

Displaying 3 discussion topics.

What's your favorite Jean-Pierre Melville film?

52 posts by 39 people 2 months ago

Le Samourai

40 posts by 23 people 4 months ago

Is there a region 2 version?

5 posts by 3 people about 1 year ago

DVD

Buy the DVD from The Criterion Collection.