Le Samouraï
France
1967
In a career-defining performance, Alain Delon plays a contract killer with samurai instincts. A razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology—maverick director Jean-Pierre Melville’s masterpiece Le Samouraï defines cool. —The Criterion Collection
Jean-Pierre Melville (born Jean-Pierre Grumbach) was an amateur filmmaker as a teenager who, after the start of World War II, began making his own independent short and feature films. He hit his stride in the ‘50s with his memorable adaptation of Jean Cocteau’s novel, Les Enfants Terribles, and, over the next 20 years, specialized in intelligent and exciting crime films, most notably Bob le Flambeur, Le Doulos (aka The Finger Man), Le Samouraï, Le Cercle Rouge, and Un Flic. Melville also acted in his own Deux Hommes Dans Manhattan, as well as Cocteau’s Orphee, Jean-Luc Godard’s À Bout de Souffle (aka Breathless), and Claude Chabrol’s Landru (aka Bluebeard). He died in 1973.
(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:102465 )
A man lies alone in bed. Immaculately dressed in a tight, dark suit he takes a drag of his cigarette, blowing the smoke into a thick pillow of fog above him. The room is empty save for a chair, table… read review
jean-pierre melville really knows how to create a film that defines cool. from the opening quote, the minimal use of dialog (especially the no dialog in first 10 minutes of the film), the stylistic… read review
In terms of style, I would rate this very high, but unfortunately some of its details suffer from age. The cloak & dagger stuff just doesn’t hold up over 40 years later. Things like lock-picking… read review
Le Samourai is a stylish looking film with some nice jazz music. It utterly lacks character development and is, at least for me, devoid of any suspense or intrigue. The plot is very weak and filled… read review