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Nosferatu

Nosferatu, eine Symphonie des Grauens

Germany

1922

94 Min
  • Currently 4.2/5 Stars.
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DIR F.W. Murnau

PROD Enrico Dieckmann, Albin Grau

SCR Henrik Galeen

DP Fritz Arno Wagner

CAST Max Schreck, Gustav von Wangenheim, Greta Schröder, Alexander Granach

Synopsis

F. W. Murnau’s landmark vampire film Nosferatu isn’t merely a variation on Bram Stoker’s Dracula: it’s a direct steal, so much so that Stoker’s widow went to court, demanding in vain that the Murnau film be suppressed and destroyed. The character names have been changed to protect the guilty (in the original German prints, at least), but devotees of Stoker will have little trouble recognizing their Dracula counterparts. The film begins in the Carpathian mountains, where real estate agent Hutter (Gustav von Wagenheim) has arrived to close a sale with the reclusive Herr Orlok (Max Schreck). Despite the feverish warnings of the local peasants, Hutter insists upon completing his journey to Orlok’s sinister castle. While enjoying his host’s hospitality, Hutter accidently cuts his finger-whereupon Orlok tips his hand by staring intently at the bloody digit, licking his lips. Hutter catches on that Orlok is no ordinary mortal when he witnesses the vampiric nobleman loading himself into a coffin in preparation for his journey to Bremen. By the time the ship bearing Orlok arrives at its destination, the captain and crew have all been killed-and partially devoured. There follows a wave of mysterious deaths in Bremen, which the local authorities attribute to a plague of some sort. But Ellen, Hutter’s wife, knows better. Armed with the knowledge that a vampire will perish upon exposure to the rays of the sun, Ellen offers herself to Orlok, deliberately keeping him “entertained” until sunrise. At the cost of her own life, Ellen ends Orlok’s reign of terror once and for all. Rumors still persist that Max Schreck, the actor playing Nosferatu, was actually another, better-known performer in disguise. Whatever the case, Schreck’s natural countenance was buried under one of the most repulsive facial makeups in cinema history – one that was copied to even greater effect by Klaus Kinski in Werner Herzog’s 1979 remake – Nosferatu the Vampyre.

(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=1:35687 )

Director

Fw-murnau

F.W. Murnau

To this day German filmmaker F. W. Murnau remains one of the most influential directors of cinema. After studying art and literature history at the University of Heidelberg, he became a student of director Max Reinhardt until serving in World War I as a combat pilot. During a flight, he accidentally strayed into Switzerland and stayed there till the war’s end. He made his directorial debut in 1919 back in Germany; although he made several films over the next three years, most of them have been lost. Murnau first gained international renown with Nosferatu the Vampire in 1922. Unlike others, Murnau filmed this still chilling masterpiece on location. His next film, The Last Laugh (1924), utilized unique camera techniques that later became the basis for mise-en-scene. He continued making German films, notable for their pessimism and pervading sense of doom, until he moved to Hollywood in 1926 to work for Fox studios. His first American film, Sunrise: A Story of Two Humans (1927), is considered… read more

Wall

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Jeff R Hall

24Jan10

I love Dracula, but this is THE vampire film.  
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Tag Simler

16Dec09

Brilliant and scary. I've been keeping a list of films I've seen my entire life, and made sure that #1000 would be something monumental and classic, and I chose this. Wasn't disappointed. A landmark film that truly inspires.  

gino

23Nov09

It's incredible how much this Film owes to its score. Music says everything that words could, and then some. Nosferatu, aside from being a notorious classic, is actually a great Film. Especially for its era, it's advanced and thoroughly developed. Really good Plot, and pretty decent acting- the performances are usually so cheesy and over the top in silent Films.  
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Luke

12Sep09

Best silent film.  

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Fans

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Articles

Our roundup of essays and articles on this film.

The Forgotten: Blood is the Color of Night

By David Cairns on March 19, 2009
The Fearless Vampire Colours When Emma Thompson's dad, Eric, was given the job of translating a French kids' show for the BBC, he projected the films, without sound, on his kitchen door and made up
read article

The Forgotten: Weasels and Doves

By David Cairns on February 5, 2009
W.O.W. Historically, Valerie and Her Week of Wonders can be seen as Czech New Wave director Jaromil Jires's attempt to run for cover and make a safe, inoffensive fantasy film in communist Czechoslovakia
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Lists

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Reviews

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Untitled

By Alvaro on November 17, 2009

I just revisited this gorgeous twilight tale of old and it keeps surprising me. Great performances and even greater editing.

I consider this more than just a classic horror film, for me this…  read review

Untitled

By Rina on September 20, 2009

I do get that this is the first real vampire film. I do get the beautiful cinematography and shadow plays. I do get that this must have been a sensation for audiences back then, that they must have…  read review

Untitled

By Lucas Granero on April 25, 2009

Murnau crea grandes climas, el manejo del suspense es inmejorable, todos los mitos alrededor de “Nosferatu” son, sin lugar a dudas, toda una leyenda cinematgráfica. Tembien son excelentes el manejo…  read review

Forum

Displaying 1 discussion topic.

Why Is This The Quintessential Vampire Movie?

63 posts by 25 people 5 days ago