1900
Novecento
Italy, France
1976
255 Min
Color
Italian
Bernardo Bertolucci’s 255-minute 1900 was a gargantuan undertaking, requiring the resources of three European countries and a trio of American movie studios. Set in the Italian town of Parma, the film’s continuity backtracks from Liberation Day in 1945 to the occasion of composer/patriot Giuseppe Verdi’s death in 1901. We follow the lives of two men born on that day in 1901, who grow up to be Alfredo Berlinghieti (Robert De Niro) and Olmo Dalco (Gérard Depardieu). Wealthy Alfredo sinks into dissipation, while poverty-stricken Olmo becomes a firebrand labor leader and communist. After WWI, Alfredo is allowed to peacefully retain his land holdings by playing nice with the burgeoning fascists; Olmo, on the other hand, engages in a long-standing battle against the minions of Mussolini. The two protagonists are reunited when Alfredo returns to Parma to preside over Olmo’s trial for “political crimes.” Co-star Burt Lancaster is cast as Alfredo’s wealthy grandfather, who hates to see the old values buried beneath the social travails of the 20th century. Many American prints of 1900 were shortened to 243 minutes, rendering the story hard to follow at times. —allmovie guide
Known both for sweeping epics and for helping to bring eroticism into general release with Last Tango in Paris, Bernardo Bertolucci is one of the pre-eminent international directors of the latter half of the twentieth century. The son of poet, film critic, and anthologist Attilio Bertolucci, he was born on March 16, 1940 in Parma. Surrounded by an atmosphere of comfort and intellectualism, Bertolucci began making 16 mm films as a teenager. In addition to making two short films about children, he also gained a certain amount of respect as a writer, winning the Premio Viareggio (one of Italy’s top literary awards) for his first book, In Search of Mystery. Going on to study at the University of Rome, Bertolucci started his film career as an assistant director to Pier Paolo Pasolini. After working on Pasolini’s Accatone, he left the University in 1961 and embarked on his own independent film study.
Bertolucci made his directing debut the following year with La Commare Secca (The… read more
Quite possibly the least interesting thing I’ve seen from Bertolucci. Film as metaphor can be a wonderfully exciting thing but this is all that 1900 has going for it. The characters are vulgar (which… read review
Probably came as too related to Godfather for most, but I find this epic movie far superior to the rather safe directing of Coppola. Here, there is even better music soundtrack, an amazing dreamy quality… read review
Whoa!
That’s all I can say about this…okay, so maybe I have a little bit more to say…a lot.
As a Gabriel Garcia Marquez fan, I can honestly say that this is like one of his books come… read review
Bertolucci presents a combination of the serenely beautiful and the down right absurd, and uncannily keeps the balance. Any flaws — and there are many — are redeemed by the absolute peculiarity of… read review