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The Godfather: Part II

United States

1974

200 Min
Color
Italian, Latin, Spanish, English
  • Currently 4.5/5 Stars.
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DIR Francis Ford Coppola

PROD Francis Ford Coppola

SCR Francis Ford Coppola, Mario Puzo

DP Gordon Willis

CAST Al Pacino, Robert Duvall, Diane Keaton, Robert De Niro, John Cazale

MUSIC Nino Rota

Synopsis

Francis Ford Coppola’s legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone’s rise with his son Michael’s spiritual fall, deepening The Godfather’s depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro’s business. With Fanucci gone, Vito’s communal stature grows, but it is his family (past and present) who matters most to him — a familial legacy then upended by Michael’s (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption.

(Source: http://www.allmovie.com/cg/avg.dll?p=avg&sql=1:20078)

Director

Francis-ford-coppola

Francis Ford Coppola

He was born in 1939 in Detroit, USA, but he grew up in a New York suburb in a creative, supportive Italian-American family. His father was a composer and musician Carmine Coppola. His mother had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as soundman, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola’s first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of This Property is Condemned, by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning?, and Patton, the film for which Coppola won a Best Adapted Screenplay Academy Award. In 1966, Coppola’s 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George… read more

Wall

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grebmops

9Feb10

The dog stays  
Picture of Joshua Gaunt

Joshua Gaunt

8Jan10

I hadn't seen this for about ten years until a few days ago. I completely forgot how depressing this film is. Those who haven't seen the Coppola restoration DVDs yet definitely should. They're gorgeous.   
Picture of Helena Fisher-Welsh

Helena Fisher-Welsh

1Jan10

It's brilliant and sad how the film comes to an end--Vito's story ends with him killing the man who destroyed his family all those years ago; Michael's ends with him destroying part of his own family in Fredo. The boy who was a hero becomes a more fully realized evil than his father ever was...and with the look he has on his face by the end of the film, we know we aren't the only ones who know it.  
Picture of John "The K man" Smith

John "The K man" Smith

22Nov09

Its shows the emotional decay and mental isolation that success does to a man's soul. It shows a true and straight business man losing everyone around him and the isolation that come from being a huge success. It shows the true feelings of the runt of the family via Fredo, and it shows the mental pressure that men of power go trough with each other and others.  

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Fans

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Articles

Our roundup of essays and articles on this film.
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The New Breed of Filmmakers: A Multiplication of Myths

By Manny Farber on December 16, 2009
The difference between the two obsessive quests in The Searchers (1956) and French Connection II (1975) is one of quantity: Popeye Doyle’s one goal, revenging himself on the hedonistic narcotics
read article

Barack Obama's Favorite Films

By efe on January 12, 2009
Barack Obama lists these films as some of his favorites.  We usually think one's personal tastes are an insight into who they are.  Do these say something about US' President-elect? (Source: Obama's Facebook
read article

Lists

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Reviews

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The Godfather 2

By Noslen on January 29, 2010

Continuing in my attempt to view all the films by directors selected by me, I watch the movie The Godfather 2, Francis Ford Coppola. A few days ago, watch the first of this trilogy, The Godfather…  read review

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By thedoct​or_isin on November 12, 2009

Not as good as the first one, sorry.
The story of Michael is absolutely astonishing, blows my mind. The story of Vito is completely unnecessary.
In my opinion it robs the Don of everything…  read review

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By Hanniba​l Lecteur on September 17, 2009

When I saw this movie for the first time, I suddenly understood what “directing” meant. Especially because of the scene where Hyman Roth celebrates his birthday, and his cake (representing Cuba) is…  read review

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By baddabo​om on May 26, 2009

“I loved baseball ever since Arnold Rothstein fixed the World Series in 1919.”

De niro with a towel wrapped around his gun kills the neighborhood bully: A dashing monster in a yellow suit. A…  read review

Forum

Displaying 1 discussion topic.

Part II: Is It Over-rated?

38 posts by 21 people 2 months ago