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The Man Who Wasn't There

United States, United Kingdom

2001

116 Min
Black and White
English
  • Currently 3.7/5 Stars.
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DIR Joel Coen

PROD Ethan Coen

SCR Joel Coen, Ethan Coen

DP Roger Deakins

CAST Billy Bob Thornton, Frances McDormand, James Gandolfini, Scarlett Johansson

ED Roderick Jaynes, Tricia Cooke

PROD DES Dennis Gassner

MUSIC Carter Burwell

Synopsis

Set in a sleepy Northern California town in the 1940s, Joel Coen and Ethan Coen’s The Man Who Wasn’t There stars Billy Bob Thornton as Ed Crane, a humble barber who suspects his hard-hearted and hard-drinking wife Doris (Frances McDormand) of having an affair with her boss (James Gandolfini). When a jocular stranger (Jon Polito) breezes into town hinting at the fortune to be made investing in an outlandish-sounding new invention called dry cleaning, Ed hatches a blackmail scheme he hopes will make him rich and get him some revenge at the same time. His plan goes horribly awry when he accidentally commits a murder for which Doris ends up being blamed, landing her in the slammer and Ed at the mercy of blowhard big-city lawyer Freddy Riedenschneider (Tony Shalhoub). Filmed in black-and-white by three-time Oscar-nominated cinematographer Roger Deakins, The Man Who Wasn’t There was inspired by the seedy crime novels of James M. Cain, putting a distinctly Coen brothers’ spin on the film noir tradition. Though spiked with their characteristic humor, its moody atmosphere hearkens back to the darker moments of Blood Simple and Fargo – a marked departure from the high-spirited slapstick of O Brother Where Art Thou.

(Source: http://www.allmovie.com/cg/avg.dll?p=avg&sql=1:246226)

Director

Joel_coen

Joel Coen

Combining thoughtful eccentricity, wry humor, arch irony, and often brutal violence, the films of the Coen brothers have become synonymous with a style of filmmaking that pays tribute to classic American movie genres, especially film noir, while sustaining a firmly postmodern feel. Born in St. Louis Park, MN, in 1954, Joel Coen studied at New York University before moving into filmmaking in the early ‘80s. He and his younger brother began writing screenplays while Joel worked as an assistant editor on good friend Sam Raimi’s 1983 film The Evil Dead. In 1984, they made their debut with Blood Simple. Both of them wrote and edited the film (using the name Roderick Jaynes for the latter duty), while Joel took the directing credit and Ethan billed himself as the producer. It earned considerable critical acclaim and established the brothers as fresh, original talent. Their next major effort (after Crimewave, a 1985 film they wrote that was directed by Raimi), 1987’s Raising Arizona was a… read more

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Geoffrey Thomas

6Feb10

One of their more moody pieces, I enjoyed the black humor and the nonsensical world this noir inhabited.  
Picture of Christian Nancarrow

Christian Nancarrow

12Jan10

Not cohesive enough. Ok, now on to the next part of the film. Now that's done, the next part. And the next. on and on, dragging like the 3rd Lord of Ring film   
Picture of Edwin N

Edwin N

2Jan10

An excellent salute to 40s Film Noir, a whole lot better than Polanski's "Chinatown". There isn't much to say about it, but the whole atmospheric feel of it hypnotized me. It's my favorite Coens brothers film. And Law, I don't know what it has to do with Camus, I'd say it's closer to Carver.  
Picture of Law

Law

18Dec09

Someone told me this was like Camus. That someone had better be right.  

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By Byron Brubake​r on November 30, 2009

More great period detail and jargon from the Coen Brothers. McDormand and Shalhoub stand out. Johansson and Jenkins are wasted. Shalhoub’s lawyer brings up the post-modern uncertainty principle, so…  read review

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